Natalie Dessay chante Michel Legrand - facebook.com.
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Natalie Dessay’s kaleidoscopic career goes on apace, six years after her farewell to the opera stage.Between her raved-at appearances in the theatre, her sparkling wit in French television talk shows and her brilliant incursions in the world of musical comedy, the French soprano still has time for what is known as serious music, if such a term could at all apply to an art- ist known for the.
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Le Boeuf sur le toit (Swinging Paris). The disc features a number of other musicians in vocal and other items, including Natalie Dessay, although the balance is certainly on piano pieces - there's also a blues played on the harpsichord, but such is the feeling of the lid coming off that anything seems possible and can be part of the blend.
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In the 1950s, Michel Legrand also started composing for some of the artists he was accompanying. His first great song La Valse des Lilas, displayed an individual style of melodic writing which soon became his hallmark. “ I put a great deal of faith in melody”, he admits.